|
Home >
All Guitars >
Paul Reed Smith (PRS)
Quicksilverizing A PRS
This Page Is About Making Your PRS Guitar A
Better Sounding & Playing Guitar.
By Using Standard
Quicksilver Parts We Can Improve
Your PRS 200%

This guitar was custom re-made
from the ground up.
This is a full PRS conversion.
It started off as a boring opaque red PRS CE
with zero personality!!!
Improvements include, korina wood body, tone/pros, tune-O-matic
bridge, Duncan pickups, high grade quilt top,
1500G neck mod. heel removal, push pull pots, new Quicksilver body with slightly
longer upper bout for better balance. original PRS neck. |
|
PRS is still a pretty damn good guitar.
The fit, finish & basic quality easily surpasses Gibson, and most other corporate
guitar brands that are billed, and sold as a top quality, high end, instrument.
The customer service, is usually much better than most other corporate
brands also.
However, the original 1985 excellent design, has been modified over the years
too
much !! In my opinion, there needs to be pretty major modifications made, to
make the present day PRS guitars as good as the originals! It
is easily possible to do that now if you are lucky enough to have selected the
right model.
Originally, 25 years ago when PRS was
highly concerned about creating their original
excellent reputation, their guitars were far better than they are today. They
sounded better, played better, and looked better that what you can buy today. The ones you can buy today leave a lot to be desired.
This speaks to our whole industry today. In fact there are very few companies
today, that I can recommend wholeheartedly. These few
companies are JET &
Quicksilver.
If you are reading this page in it's entirety, it's relative to
know that I personally own the Quicksilver brand. Naturally the reader might
take this article as self serving. I of course have to grant you the fact that it is most
definitely self serving.
However, I am positive I can convince any relatively intelligent
open minded person, that the modifications needed to make a PRS better are effective and very
real !! In fact that these mods are already on the Quicksilver coupled with the
fact that the Quicksilver costs less!!!
Quicksilver's are superior by far. I hope to do it with facts
figures and downright common sense. No doubletalk, no mumbo jumbo.
|
Ramsey Elkholy's PRS Conversion
& Upgrade
Building A Much Better
Guitar !!!

I am exceptionally proud of how this guitar turned out !!!!
This is actually the original PRS 10 Top with the original
finish
We removed the original neck by heating the glue until it came out easily.
We custom made him a Brazilian Rosewood neck that is even thinner than an Ibanez
Wizard neck!!

Ramsey's guitar came out awesome.
Originally I had recommended an Ebony fingerboard but Ramsey insisted on the
Rosewood.
Nevertheless the guitar came out sounding at least 40% better than it did
originally.
The original neck was glued in, with the addition of the direct coupled bolted
in new neck
This guitar came out sounding like one of the best PRS guitars I have ever
played.
Another reason it sounded better was we removed the poly finish from the back of
the guitar.

This was the perfect guitar to
do these modifications to !!!!
When Ramsey shipped us this guitar it
sounded awful, it had no sustain and the tone was dead.
He had tried everything to fix it.
He had completely destroyed the resale value of this
guitar !!!
By converting this to bolt in we
eliminated all the glue that was choking the tone !!
He
had added a third pickup which sounded bad until we redesigned the electronics
circuitry.
He drilled extra holes to accommodate all kinds of useless tone switches which
we also redesigned.
The neck on this guitar is now thinner & smaller than any Ibanez guitar we have
ever seen !!!
It plays as smooth as warm butter when we finished it.
Plus we came in several hundred dollars below his budget.
This is the perfect guitar for
someone who plays & doesn't care about originality !!
|
Thoughts & Commentary from Ed Roman
Before Ramsey started this project, I
advised him against it, I told him that it would make a lot more
sense to simply buy a Quicksilver new rather than try to
Quicksilverize his PRS. Well Ramsey
being a stubborn individual was Hell Bent on making his PRS sound
better, He had owned it for years and was very unhappy with all the
previous modifications. He was in search of the perfect tone. In a
way I can't blame him, if he had simply traded his PRS in and bought
a Quicksilver he could have saved several thousand dollars. If he
had bought a Quicksilver in the first place he could have saved
5,000.00 over the course of several years. Effectively he
would have ended up with the same thing.
Even though this guitar turned out to be one of the magical sounding
ones there is also the element of luck.
On his we got very lucky. The original mahogany body turned out to
be better than 95% of the PRS guitars we have seen and of course
removing the finish on the back really helped the sound immensely.
We learned a very valuable lesson doing his guitar and from now on
all of our customers are going to benefit from what we learned.
I believe that besides
converting this guitar to a bolt on the removal of the finish on the
back was the actual catalyst that made this guitar sound so good.
We are now offering
Quicksilver guitars in what we call a 3070 finish. Simply put
you can now buy a Quicksilver with a glossy top and an oil finished
back.
This is a very cost
effective modification for a PRS, we are already doing these 3070
mods several other PRS guitars and I have done it to my own
Quicksilver guitar. The difference is quite noticeable. |
|
IF YOU LIKE PRS GUITARS
!!!
YOU REALLY SHOULD READ THIS ARTICLE
Ed Roman Say's "Prove It"
Every company always says that their guitar is the best.
But nobody ever bothers to prove It !!!!
It’s as if they think consumers aren’t too bright, Well
maybe they are right about that..
I see a lot of image type advertising that I simply don’t
approve of. I believe that if someone says they build a better anything
they had better be ready to prove it. (The ads for Gibson & Taylor
make me sick all image no substance)
I have been in the music business for more than 35 years
and I am or have been a dealer for over 350 different brands of guitars.
In fact I cannot think of any brands that I have never carried except
maybe some obscure house brands or something no one has ever heard of.
In almost every case every company says that
“Theirs Is The Best” Now anyone with even a
pea sized brain can realize that only one can be
“The Best”
In my opinion The Best guitars usually come from small
boutique builders who build between 50 & 100 guitars a year. (That leaves
a lot of people out of the equation including some of my own brands)
Very Important….. Just because someone builds a small
amount does not necessarily mean that their guitars are good. In fact I
have seen some incredibly poor examples of craftsmanship.
Design & Execution,
Very few builders are capable of this, PRS for example
came onto the scene in 1985 with radical new designs and extremely good
execution. No one else even came close at the time. In fact no one came
close for more than 12 years.
PRS made the best guitar that I carried between 1985 and
1995 !!! I am ultra positive that no one made a better guitar during those
years !! Then horror of horrors they hooked up with one of Gibson's Ex
Presidents who became heavily involved with PRS and redesigned their
guitars. It seems that this guy, Ted McCarty, was the individual who's
name appeared on all the patents & trademarks of the Gibson company during
their glory days. To make a very long story short. These design changes
made the guitar more Gibson-esque and in my mind they ruined the guitar.
For a couple of years I had nothing to recommend to anyone as a really
great guitar except for used PRS guitars.
So, I sold my company "East Coast Music Mall," I then started
"Ed Roman's World Class Guitars" which was a company that would specialize
only
in used Pre 1995 PRS guitars.
I actually followed the business model of a friend of mine
from Florida, Jay Wolfe who at that time had a company that primarily specialized in
PRS used guitars.
Paul Reed Smith was & is a far better guitar designer than
Ted McCarty but PRS changed all their new cool designs and great ideas
over to Ted's antiquated retro designs. Of course many uneducated guitar
players immediately went out and bought the McCarty designs thinking that
they must be good. After all this Jibroney had been with Gibson for years
and everyone knew PRS was a great guitar at that time.
In my opinion Ted McCarty made PRS a
household word and PRS became very famous but the instruments themselves
took a back seat to the bean counters as usual. They simply don't have the
original Mojo.
For example very few people don't
even realize that, Every one of the
Original PRS guitars (The Good Ones)
were all 24 fret and they either offered a Mil Com tremolo system or a
Tune O Matic bridge.
Today you cannot get anything but a
lightweight trem or that horrible wraparound bridge that even Gibson
abandoned except on their cheapest models. The 24 fret models are now only
available on their lesser expensive models unless you special order it
on a custom and pay huge additional money.
PRS has taken the stance that
their 22 fret guitars sound better. They have also taken the stance that
their glued in necks & wraparound non adjustable tailpieces sound
better, I strongly disagree.
And I must remind everyone again that PRS made their stellar reputation
building 24 fret models with small heels and no wraparound bridges.
How can they argue with that logic ???
Well don't ask me how or why but they do
!!!!
A good design must sound good be very playable and
preferably very
attractive. It must balance well and it should be comfortable seated or
standing.
|
|
The letter below is
one Ed Roman's personal favorites
Getting a letter like this one makes all the BS worthwhile
Ed
Wait till you hear this one. I recently bought a used PRS from my
local Guitar Center in Dallas. The salesman told me it was the best
sounding and playing PRS he had ever had in the store. It had a Tone Pros
Tun O matic bridge
on it and the body was slightly slimmer than usual. The salesman at GC
told me (I think his name was Harry) said that the guitar was no ordinary
PRS, Supposedly it was made for someone in Creed blah blah blah (I found
out later that was an outright lie). Several other salespeople all agreed
that this guitar had the PRS magic and it was the reason why PRS had such
a good reputation.
I played the guitar and it truly did feel great, The neck was rock
solid and was incredibly highly figured. The body has a beautiful blue
flame top and a natural back. I sat there and tried about 12 PRS guitars,
The salesman was right, none of them came close. The guitar had almost
twice the sustain of any of the other ones and the neck was smoother and
faster.
Anyway I could not resist buying the guitar, In fact I had to borrow
most of the money from my bass player. They sold it to me for only
$800.00. The reason it was so cheap is there was no serial number on the
guitar and the PRS logo was not on the headstock. There were no bird
inlays but that was cool ! I was a little worried about buying a guitar
with no serial number and no logo but they gave me a fully paid receipt so
I figured it had to be OK.
The suited guy at the counter remarked that this guitar held tune
better than any other guitar he had ever played. He told me that I made a
very wise purchase and reassured me that I had made a good move. (He
didn't know how right he was).
I took the guitar home and I used it that weekend on a gig, It
performed superbly and I was one happy guy to say the least.
About a week after I got the guitar I discovered there was a push
pull pot on it and that it split the coils on the pickups. What a great
surprise. further fiddling around with it I noticed that the pickups were
bolted down solid instead of floating on springs like all the other PRS
guitars. I unscrewed the pickup and removed it and lo and behold there was
the inscription.
"Ed Roman Was Here." Everything I had
read on your website came tumbling back at me like a ton of bricks.
PRS Tone Pros
Conversion With Bigsby
This guitar appeared to have had a custom body not a PRS body, It
had the step route pickups like on your site and the neck has that
1500G system
that I read about on your site. The neck appears to be an original PRS but
I see now the modifications you made to the heel and the tongue where the
pickup bolts directly to it like a Quicksilver. That accounts for the
extra sustain! I am assuming there is a Buzz Feiten System on this guitar
because of the tuning stability.
I could probably sue Guitar Center for falsely representing this
guitar. But I am thanking them from the bottom of my heart because I have
one of the most awe inspiring guitars I have ever owned or for that matter
even played.
Whoever this guitar was originally built for might have
misrepresented it to Guitar Center but I am the luckiest guy in the world.
I was going to buy a PRS decal off that store in Cleveland that
sells them but now I would rather it said nothing.
Long Live Ed Roman
Pete Posintini
Plano TX
Note From Ed Roman
Hello Pete
Glad to see you like that guitar, I
originally rebuilt that PRS for a NYC police detective by the name of
Manny Poole, As I remember he lived somewhere in Jersey. The last time I
talked with him had been injured in the line of duty and was partially
paralyzed. So he must have sold it, I'm surprised it ended up in Texas. I
did a number of cool PRS rebuilds for Manny.
Several other things that you missed.
The guitar has a Korina Body and Seymour
Duncan Pickups, There were also 2 small stainless steel barrels inserted
in the tongue of the neck to add mass and stability.
The original PRS fingerboard had been
removed and a new ebony one was been installed. look carefully at the
frets you will notice you can't see the fret tangs on the side. look at a
regular PRS and you will see the tangs are
completely visible.
I usually sign the PRS mod's in the pickup
cavity and I usually Jokingly print " Ed Roman was here" Ala Kilroy was
here... Just a little private joke between myself and someone who will
remain anonymous right now.
If you want a letter or perhaps a copy of
the original invoice for the work please let me know.
Ed Roman |
 
These 2 PRS Conversion Guitars are Available as of January
2009
Both have reduced heels, Hard mounted Duncan Pickups, Tone Pros bridges, Push
Pull Pots
Korina and or Mahogany Backs, Koa Or Maple Top
|

Totally Rebuilt From The
Ground Up
This is a later model 22 fret PRS and one
of the very few 22 fret ones that we have done major modifications on. This
guitar still uses the original body. The guitar had sentimental value to our
customer who spent more money than a new guitar to have us completely rebuild
and reconstruct his instrument.
1, This Guitar has been converted to a bolt in neck
2, We built the customer a new neck we
utilized the original fingerboard.
3, We hand inlaid the Eagle in the
headstock
4, We removed the poly finish and
restained the guitar the exact shade of green the customer wanted
5, We did an oil finish, short heel and
1500G Neck treatment.
6, We switched out the pickups and added
hard mounted Seymour Duncan Pickups.
7, We used our trademarked
neck mounting insert kit
to attach the neck super tightly.
It is rare that we do a job like this and
don't dump that wraparound bridge, but this was one of them.


This is another PRS that thinks it's a Quicksilver
(See the bridge we installed)
Retopped Body, with Bird Inlays done at Ed Roman's
Personalized at the 12th fret
PRS does not offer nice tops or bird inlays on their bolt on models !!!!!
|

PRS Retop & Custom Paint Job
What you will read below I have said
before
about 20 times in 20 different ways in 20 different places.
I don't mean to be overly redundant but different readers read different
parts of the website.
If you are an avid reader of this site there will be little here you don't
already know !!!
|
Basic upgrades that need to be
made in order to improve the sound !!!
1, Remove the pickup mounting springs,
hard mount the pickups so that the vibration & resonance of the wood is not
compromised by the springs. this will require installing wood into the pickup
cavity. The tonal difference will be immediately apparent. You will hear more
overtones and it will sustain far better.
2, Remove the 4 wood
screws holding the neck on and mount 4 brass inserts into the neck. Re-attach
the neck using 4 hardened machine screws and inserts . This will tighten the neck joint more
than it was with the wood screws. The tone, especially the high end will be much
clearer and crisper. (Bolt In Models Only)
2a, The above paragraph pre
supposes that your PRS has a tight neck fit, About 80% of the PRS guitars have a
good tight neck fit. The original handbuilt ones were all excellent, however I
have found that on the newer production models tightness of neck fit can be
sporadic.
Proper neck fit means that you almost have to force the neck
into the neck pocket or mortise.
If your neck is a loose fit, then you are going to have to build
up the sides of the pockets with shims. Do not attach the shims with glue.
Glue acts as a deadener and in my opinion it has no place being anywhere near a
neck joint.
Exceptions are almost non existent to this rule.
The only exception I have
discovered is that when using a single coil soapbar style pickup a glued in neck
might complement the fatter single coil tone. Hence I only use a glued in
neck for Jazz style guitars and/or in situations where a soapbar pickup is
employed.
3, Converting the glue in neck models to a bolt on is not a job
for the weak of heart and not something that your basic guitar tech is going to
be able to pull off smoothly. It requires a great deal of work to remove the
glued in neck. It makes a fantastic difference tonally when the job is performed
correctly.
I am a strong believer that for music from the 60's to
present day there should be absolutely nothing in the neck joint but raw wood
touching raw wood, No paint, No Glue, No fillers of any kind. This will give you
the most resonant tone and allow your notes to bloom effectively.
|
Early PRS custom
conversion guitar. Fine example of the first ever PRS lefthanded guitars.
Built in 1991 by Ed Roman's Custom
Shop using a stock PRS neck & hardware
We have done about 20 of these
since 1990 |
There are other theories of course but even though I have been flamed and called
vile names by a certain group of retro guitarists who own and play glued in neck
guitars. I have never received even one letter with a different theory. I have
built glue in neck guitars myself, and most of them came out sounding great. I
just wonder how much better they would have been if they were bolted in.
4,
Direct Coupling The Guitar is essential to improving the
sound It adds ton of tone & sustain.
5, Hard Mounting The Pickup in the Neck/Pickup cavity eliminates
the shaky sound and gives you much more sustain.
6, Replacing the cheap
Indian Rosewood fingerboard with
Ebony. This not only gives
you a much more percussive tone but it hold
7, Replace
The Pickups, I suggest using the Seymour Duncan Black/Backs
TM they were
developed over a 5 year period to be used in our LSR
guitars & Quicksilvers. They are available
and they sound great no matter what guitar you put them in.
8. Install Push Pull Pots
they will allow you to switch to single coil and or out of phase in an instant
and it doesn't affect your unity gain as much as the PRS 5 position knob. It's
quite a bit easier to use also.
9,
Change to the
Gold Adamantium Fretwire
which sounds like the nickel silver but wears like Stainless Steel.
Or you can simply purchase a
Quicksilver Guitar they all come with most of the above modifications as
standard
|
This is
yet another PRS that we retopped and refinished. We also
inlaid purfling around the entire body. I would have liked to redo the
fingerboard with ebony and do some really nice inlay work to it.
Rosewood is
such a blah wood, it doesn't do much for the inlay. In fact
rosewood camouflages the abalone and tends to make even the prettiest abalone
look blah....We also inlaid an eagle on the headstock of this one. This
particular guitar was the 100th PRS we retopped. It was done for Winn Wilson of
Connecticut in 2001.
Today Ed Roman retops about 20 PRS guitars a year.
Back in the 90's we did about 50 a year. Today people just buy a
Quicksilver instead.
|
|
Improve Your Playability.
1, Remove the plastic finish on the back of the neck.
this will also improve your tone but that's only half of the modification. On
our 1500 G neck mod we sand & oil the neck in such a fashion that the friction
is greatly reduced. People really rave about how much they like this mod.
Click Here for more info.
2,
Remove the
Heel from Hell
that comes on the later models after 1995. The
early models (Pre 95) don't have that silly big heel on the base of the neck.
It's not very expensive to remove on the CE model and you will love the way the
guitar plays and feels after it has been removed.
Or you can simply purchase a Quicksilver
Guitar they all come with most of the above modifications as standard |

Removing the Heel From Hell on a PRS
Custom is a very common job
We have done 350 of these
We have done over 1000 on the CE Models

PRS
QUICKSILVER
PRS
No Heel
|
Basic upgrades that need to be
made in order to improve the cosmetics.
1,
Ebony fingerboards make your inlays show
much better !!!
2,
We offer
45 different types of wood for
the top of your guitar. See our PRS Retop Page
Gibson Retop Page
3,
Unlimited paint finishes imagine A
Rickenbacker Style Fire Glo on a PRS truly awesome, or a Metalflake job or
anything you can think of. We Do It All
Portraits, Themes, Flames,
Pinstriping etc etc
4,
We offer custom inlays including Dragons,
Vines, custom designs or anything
you can imagine
Or you can simply purchase a Quicksilver
Guitar they all come with most of the above modifications as standard |

Stock PRS body with an Ed Roman Maple Top
As a large dealer of
Rock Star Owned Stage
Played Guitars I often come into contact
with many stock guitars that the artist simply does not want. In many
cases these guitars are given to them as a bribe to try to get them to
switch the brand that they play. I also get many heavily modified
customized guitars from these same individuals because they are used to
high quality and will not settle for the usual off the rack guitars.
There are people on the internet who would
flame me and call me a butcher for customizing many of the iconic guitars
but I must be in good company because offhand I cannot think of a single
pro guitarist that doesn't modify their guitars to suit them. |

2 Beautiful PRS Conversions
They Play Better, Sound Better, Stay in Tune Better, Weigh Less & Look
much Better.

Early PRS Retop Job
|