Fender Rory Gallagher Guitar

Fender Rory Gallagher Guitar

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Rory Gallagher was an Irish blues/rock guitarist. Born in Ireland, he grew up in Cork City. He is best known for his solo albums, and for his tenure in the band Taste during the late 1960s. A multi-instrumentalist who gained a reputation as a gifted and charismatic live performer, Rory Gallagher's albums have sold in excess of 30 million copies worldwide.

Gallagher was always associated with his well-worn sunburst 1961 Stratocaster (Serial Number 64351), which his brother Donal has officially retired. It was reputedly the first in Ireland, and was ordered from Fender by Jim Connolly, a showband member performing with The Irish Showband. Connolly ordered a cherry red Stratocaster through a music shop in Cork. When Fender shipped a sunburst Stratocaster instead, it went on sale as a second-hand instrument, which Gallagher bought for just shy of £100 at Crowley's Music Store on Cork's McCurtain Street. The guitar was extensively modified by Gallagher. The tuning pegs, for a start, are odd (5 Sperzel pegs and one Gotoh), and all of these have been found to be replacements. Secondly, it is thought that the nut has been replaced and interchanged a number of times. Thirdly, the scratchplate was changed during Gallagher's time with Taste. Another change was made regarding the pickups, of which none are original. The final modification was that of the wiring: Gallagher disconnected the bottom tone pot and rewired it so he had just a master tone control along with the master volume control. He also installed a 5-way selector switch in place of the vintage 3-way one. The most notable effect that years of touring have had is the almost complete removal of the guitar's original sunburst finish, partly through being left out in the rain in a ditch for days after being stolen. Other quirks include a 'hump' in the scratch plate which moves the neck pickup closer to the neck on the bass side and a replacement of all of the pickups, though this replacement was due to damage rather than a perception of a tonal inadequacy. One final point of interest is that one of the clay double-dot inlays at the 12th fret fell out and was replaced with a plastic one, which is why it is whiter than the other clay inlays.

 

 

 

 

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